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The relationship between art and environmental art Produced many well-established Centuries. As a starting point for my work Both as a composer and researcher that I would argue, Musician, evolutionary continuum contribution Music as a living, breathing art, its Resonance with the work and should reflect the modern world Are designed. This idea was the main motivation for me to return After decades in the world of art music, which almost Packaged in pop culture.

Y A central role in all of my work, especially played Since 2008, the period Are not the contents of my writings Withdrawn later. It was early 2008's that the title of the work created "Fantasy and Fugue (for orchestra)," I have Concept of "statements of the form." I was worried That music was the way we communicate in the following languages In today's world where the statement is effective Culture.

This is reflected in our growing dependence E - mail, SMS, Twitter, Facebook, YouTube, MySpace and so on. Letters and phone Negotiations are now helping us News, views and chat communications. Distribution Paper to use and adapt their style Programming reflected the increasingly impatient Approach that results in faster time Western-based citizen pressure lifestyle Democratic society (and other spreads Companies that develop in the same direction).

This presents a challenge for progressive composer intended Pitch, harmony, and to discover new forms of organization To bring in music composition XXI century. Since there is a clear Contradiction between our desire for a prosecution Intellectually and aesthetically challenging agenda solid In Culture while responding to a statement, Is the result of intensive marketing and populism.

My immediate reaction was to think how you compose music Can offer a relatively short statement Currently, various opportunities for progressive ideas And subjects for a family audience, Diluted with a way to cope with and be able to The content of the music itself. My first Try, a work that reflects these goals and was a Orchestral piece, "Twenty-four hours' title it. Seven (sound bites) sections, the first contained Offers five different and conflicting sound bites Materials, the sixth and then an attempt to abort With a recap of the last five The most important elements of a game in the new seventh Sequence and new materials.

In a way I was happy to take my first full Ment works. But the creation of this work, Disappointed with the two subjects I knew that I would have to face, before he can be In developing this new concept.

One, I'll be back for me was the desire to reflect "Gradual change" and an overview of the concept of On many physical and theoretical Cycles of change in modern society and as My long-term social, political representation of goals Democratic socialists believe in historical Longevity of evolutionary change in approach by Evolutionary change and the companies believe Art. The other most pressing concern was my inability to The materials in the successful development statement Because of its ability to run properly And space limitations imposed on me Construction.

It is a solution that can be taken into account for all lead My question is. Statement consists of two movements of the form For use in large-scale works. First Gallop through several short statements Presentation of the various progressive asymmetrical Material from a trailer in the same way in a great detail. Move the "Summary" will.

 

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